If I Were A Boy (2017) Now
However, the narrative also delves into the absurdity and discomfort of her situation, preventing the film from becoming a simple "grass is greener" story. Jeanne’s struggle to hide her transformation from her friends, family, and a potential love interest creates a series of comedic misunderstandings. These moments emphasize the performative nature of gender. As she tries to "act like a man" or maintain her life as a woman while dealing with a male appendage, the film suggests that gender is not just biological but a collection of behaviors and expectations imposed by society.
If I Were a Boy (Jalouse), directed by Audrey Dana, is a 2017 French comedy that explores the complexities of gender identity through a fantastical lens. The film follows Jeanne, a recently divorced woman struggling with the challenges of modern life and the perceived advantages of being a man. After a freak accident involving a storm, she wakes up to find she has grown a penis, a physical transformation that forces her to navigate the world from a dual perspective. While the premise is rooted in body-swap comedy tropes, Dana uses this surreal transformation to critique social norms and investigate the internal landscape of female desire and frustration. If I Were a Boy (2017)
The film serves as a satirical look at gender inequality. Jeanne’s newfound physical attribute initially grants her a sense of empowerment. She begins to notice how differently the world treats men, from the casual confidence in professional settings to the lack of scrutiny regarding their bodies and behavior. This external change mirrors her internal need for agency and respect, which she felt was stripped away during her marriage and subsequent divorce. By embodying a male physical trait, Jeanne attempts to reclaim the power she believes is inherent to masculinity, highlighting the often-invisible social scaffolding that favors men. However, the narrative also delves into the absurdity
Critically, the film has faced scrutiny for its handling of gender-bending themes. Some viewers argue that it relies on reductive stereotypes and fails to deeply engage with the actual experiences of transgender individuals, instead using gender non-conformity as a punchline. While the film is a lighthearted comedy, this critique points to the fine line between satire and insensitivity. The resolution of the film, which focuses on Jeanne’s self-acceptance, suggests that the "male" part of her was perhaps a manifestation of her own repressed strength and the need to break free from the restrictive roles she had been playing. As she tries to "act like a man"
In conclusion, If I Were a Boy is a provocative, if flawed, exploration of what it means to occupy different spaces in the gender spectrum. Through its whimsical and often crude humor, it invites the audience to question the arbitrary nature of gender roles and the impact they have on personal identity. While it may not offer a profound sociological study, it successfully uses a high-concept premise to reflect on the universal desire for self-determination and the messy reality of being human in a world obsessed with binary categories.